第七屆濟南國際攝影雙年展邀請展：
《從長安到羅馬——中意院校攝影邀請展》
主辦：中國濟南國際攝影雙年展組委會
承辦：西安理工大學藝術與設計學院
協辦：特想集團·大師工坊
地點：山東工藝美術學院2號館、3號館
時間：2018年10月25日至30日
總策劃：曾毅
策展人：張輝 、Angelo Collura (意大利) 、Alfred Mirashi(意大利)
長安是中華文化的典型代表之一，羅馬也是西方世界中無可替代的文明高地。一個是以其“壯麗”而達“重威”，一個是用大理石建造的“永恒城市”，他們東西相望，在各自不同的地點構建出濃墨重彩的文明譜系。回望歷史，自公元前140年張騫鑿空之始，經過公元609年隋煬帝西行，到公元1298年的馬可波羅游記，都在絲綢之路上演繹著水乳交融的歷史篇章，中意文明交流的成果也一直影響著現今世界的我們。
2018年，距那第一個東西方交流的歷史瞬間，已經橫亙了2158年。如今，在中國濟南國際攝影雙年展的平臺上，我們有機會能將15中國個藝術院校及10個意大利藝術院校的師生影像作品，通過展覽的形式，集中呈現給大家，就是期望中外高校借此機會相互交流相互學習。由于文化、經濟、政治背景的區別，中意兩國在藝術認知、攝影觀念表達和展現中，有較大的差異。但兩國高校的教師
和學生在作品中都是力求關注現實、關注生活、關注自我生存體驗，他們用當代視覺藝術的方式，傳達了中意青年藝術家對夢想追求的理念，這種文化和地域的差異在此次展覽的藝術語言中重逢、相通，并獲得完全的新生。
望此次展覽中那些充滿活力和藝術魅力的攝影作品能在中西方文明交流過程中，增添新的光彩。
張輝
From Chang'an to Rome
Chang'an is one of the typical representatives of Chinese culture, and Rome is also an irreplaceable civilization highlands in the western world. Chang'an is "magnificent" and "majestic", and Rome is the "eternal city" built with marble, and they construct rich and colorful civillization in the East and the West. Looking back at history, since the beginning of Zhang Qian’s departure to the western region in 140 BC, after Emperor Sui’s western journey in 609 AD, to Marco Polo’s travels in 1298 AD, they all play harmonious historical chapters on the Silk Road, and the achievements of China-Italy cultural exchanges have also been influencing us in the world today.
In 2018, 2158 years have passed since that first historical moment of east-west communication. Today, on the platform of the Jinan International Photography Biennale in China, we have the opportunity to show the images of teachers and students from 13 art schools in China and 10 art schools in Italy through the form of exhibitions. We hope that Chinese and foreign universities take this opportunity to exchange and learn from each other. Due to the differences in culture, economy and political background, China and Italy have great differences in artistic cognition, photographic concept expression and works presentation.
However, the students of the two universities in the two countries are striving to pay attention to reality, life and self-survival experience. They use the way of contemporary visual art to convey the idea of young students in both countries to pursue their dreams. This cultural and geographical differences will reunit and communicate in the artistic language on this exhibition and will be completely revitalized.
It is hoped that the vibrant and artistically fascinating works in this exhibition will add new brilliance to the exchanges between Chinese and Western civilizations.
Zhang Hui
意大利參展院校：
佛羅倫薩國立美術學院、拉文納美院、卡拉拉美院、福賈美院、阿奎拉美院、巴勒莫美院、威尼斯美院、都靈美院、米蘭布雷拉美院、卡坦扎羅美院 、雷焦卡拉布里亞美院、 那不勒斯美院、烏爾比諾美院
中國參展院校：
中央美術學院、中國美術學院、清華大學美術學院、魯迅美術學院、西安美術學院、南京藝術學院、天津美術學院、上海美術學院、山東工藝美術學院、西安理工大學、北京印刷學院、湖北美術學院、浙江傳媒學院、黃河科技學院、上海工程技術大學
執行委員會
執行策展人：王怡卜、王碩
展覽監理：羅斌
微信推廣：李文澤、賈詩楠、張心睿
海報設計：李家燕
展覽時間：2018年10月25日至30日
展覽地點：山東工藝美術學院2號館、3號館
佛羅倫薩國立美術學院
Academy of Fine arts of Florence
佛羅倫薩國立美術學院
佛羅倫薩國立美術學院（意：Accademia di Belle Arti di Firenze， 英：Academy of Fine arts of Florence）1785年成為國立美術學院，學院是歐洲文藝復興的產物，也對歐洲文藝復興產生過巨大影響，因對世界美術界，世界美術教育作出的不可磨滅的貢獻，所以有“世界美術最高學府”和“寫實主義大師匯集的皇家美術學院”之稱，與意大利馬蘭歐尼學院并稱造型類和設計學的雙雄。由佛羅倫薩學院美術館收藏的文藝復興雕塑巨匠－－米開朗基羅的作品《大衛》（David)更是聲名遠揚，蜚聲世界。是眾多藝術家、學者、游客、學生心中的圣地。佛羅倫薩，世界藝術之都，歐洲文藝復興的發源地和最主要的城市孕育了美術學院的誕生，文藝復興以來大師云集，達芬奇（Leonardo Da Vinci），米開朗基羅(Michelangelo)，但丁(Dante)，彼德拉克，薄伽丘，喬托(Giotto)，拉斐爾，馬薩喬，多納泰羅(Donatello)，布魯涅列斯基，喬爾喬內，提香。
The National Academy of Fine Arts of Florence (Academy of Fine Arts of Florence) became the National Academy of Fine Arts in 1785. The Academy was the product of the European Renaissance and had a great impact on the European Renaissance, because of itsimmeasurable contribution to world art and world art education. The contribution of extinction, so the "world's highest Academy of fine arts" and "the Royal Academy of Fine Arts, a collection of realist masters," said, with the Italian Malano Oni College, known as modeling and design of the male and female. Michelangelo's David, a renowned Renaissance sculptor collected by the Florence Academy Museum of Fine Arts, is well-known all over the world. It is the holy land of many artists, scholars, tourists and students. Florence, the capital of the world's art, the birthplace of the European Renaissance and the leading city gave birth to the Academy of Fine Arts. Since the Renaissance, great masters have gathered, Leonardo Da Vinci, Michelangelo, Dante, Pidrake, Boccaccio, Giotto, Raphael, Massa. Joe, Donald Taylor (Donatello), Blue Nereski, Giorgio Hei, Titian.
Erika Pellicci
Erika Pellicci于1992年出生于巴爾加（LU），2016年獲得佛羅倫薩美術學院的一級文憑。 目前他正在ABABO學習攝影。 他的研究重點是對場所和博覽會的描述。 參加2016年佛羅倫薩“＃00 OPEN”美術學院展覽和2016年比薩“Silenzi Temporanei”Teatro LUX展覽; 通過UFO在維琴察的公開招募得以參與“S-Genetic Compositions”項目中的一些作品。她被Vanessa Beecroft選為VB83和VB84的表演者，在2017年SACI畫廊舉辦的“迷失雕像悖論”群展中展出; 在2017年Lucca Undergroud 藝術節l舉辦“00”項目，參加佛羅倫薩Chiasso Perduto的AD畫廊群展。
我看的那一刻，一切都停止了。 虛空是完整的，主體之間的空間聯系也在擴大。 因此遠離光陰的情感生活被表現出來，但接近當代。 為了尋找一種令人回味的形式，我試圖捕捉當前時刻的細節，這種方式在某種意義上讓我覺得已經很遙遠，在另一個空間，被懸空被擱置。
只有他們當下的目擊者，會充滿一種身體無動于衷的感覺。 一本介于燈光和陰影，生與死之間的 日記。
Erika Pellicci was born in Barga (LU) in 1992, obtains in 2016 the rst level diploma at the Academy of Fine Arts in Florence. At the moment she continues her photography studies at ABABO. Her research focuses on the narration of places and expositions. Takes part in the exhibitions "# 00 OPEN" Academy of Fine Arts in Florence 2016 and "Silenzi Temporanei" Teatro LUX in Pisa 2016; participates with some works in the project "S-Genetic Compositions" through the Open call UFO be unde nited in Vicenza. She is selected as a performer by Vanessa Beecroft for the performances VB83 and VB84; exhibits in the group exhibition "The Stray Statue Paradox" at the SACI Gallery 2017; presents the "00" project at Lucca Undergroud Festival 2017, participation in the group exhibition of AD Gallery at Chiasso Perduto in Florence.
Nel momento in cui osservo, ogni cosa si ferma. Il vuoto riempie il pieno, e le connessioni spaziali, fra i soggetti, si dilatano. Si manifesta così una vita emotiva lontana dal tempo, ma vicina al presente. Alla ricerca di una forma evocativa, tento di cogliere dettagli di momenti attuali, che allo stesso modo sento esser già lontani, in un altro spazio, sospesi. I “non eventi”.
Testimoni solo del loro momento, carichi di un sentimento d’impassibilità meta sica. Un diario che spazia fra luci ed ombre, vita e morte.
作品名稱：《博洛尼亞》
作品材料：藝術微噴
作品大小：30x40
創作時間：2018
薩基·伊拉利亞 Sacchi Ilaria
23/09/2009–30/06/2014畢業文憑（意大利）拉斯佩齊亞市V.Cardarelli藝術高中。
在我的學習期間，我能夠深化平面設計的主要技術，特別是autocad，illustrator，photoshop的程序。 此外，在學業前兩年，我開始涉足繪畫和雕塑的主題。
01/11/2015–在當前日期（意大利）弗洛倫薩美術學院與藝術圖形世界相關的研究：從最傳統的技術到最現代的技術。
23/09/2009–30/06/2014
Liceo Artistico V. Cardarelli, La Spezia (Italia)
Durante il mio percorso di studio ho potuto approfondire le principali tecniche di progettazione grafica con particolare riferimento ai programmi di autocad, illustrator, photoshop. Nei primi due anni, inoltre, mi sono cimentata nelle materie di pittura e scultura.
01/11/2015–alla data attuale
Accademia Delle Belle Arti, Firenze (Italia)
Studi inerenti al mondo nella Grafica d 'arte: dalle tecniche più tradizionali fino alle più moderne tecnologie.
布諾麥莉 朱麗葉 Bonomelli Giulia Curr
布諾麥莉 朱麗葉 意大利人 2018年8月4日－2018年8月18日 實習
舞臺布景設計師助理，ABC音樂節 意大利 坎皮利亞馬里蒂馬
2016年8月 實習－道具，ABC音樂節，為坎皮利亞馬里蒂馬劇院設計布置舞臺布景
2016年8月 實習－演出參與達里奧.福的戲劇《不是所有的小偷都會受到傷害》舞臺布景設計
15-10-2014 10-2018，佛羅倫薩美術學院劇院和電影院景觀設計。
文憑是一級藝術設計 適用于場景設計。
BONOMELLI GIULIA Italiana 31 ottobre10月 1995 4-08-2018 18-08-2018 Stagista Assistente scenografo ABC Apritiborgo di Campiglia M.ma ApritiBorgo Scenografia
Agosto 2016 Stagista- attrezzista
Realizzazione e allestimento scenografia nel teatro dei Concordi di Campiglia M.ma ABC Apritiborgo di Campiglia M.ma ApritiBorgo Scenografia. Agosto 2016 Stagista- realizzatrice
Aiuto realizzazione della scenografia per lo spettacolo dedicato a Dario Fo “Non tutti i ladri vengono per nuocere”Accademia di Belle Arti di Firenze Scenografia
15-10-2014 10-2018Accademia di Belle Arti di Firenze Progettazione allestimenti scenografici per il teatro e il cinema.
Diploma di primo livello in Arti applicate alla Scenografia 110 lode /110.
Federica Murittu
這個項目源于強烈的需求。我們正在拋棄手工業制造文化，我們更關注純消費市場，而不關心產品的質量和獨特性。隨后，藝術介入，其目的在于引起人們對這一問題的關注，使這項工藝不會消失。
該項目包含一系列的五張照片，記錄了佛羅倫薩和錫耶納的不同工匠，他們仍對未來的手工產業飽含期待。這一強勁的工藝需求使我與他們進行了互動；詢問他們所從事的工作的實質，這也許是他們從未思考過的。通過他們的回答，我決定用他們不要的衣服拍照。
這些照片是在中立空間內拍攝的，只是為了表現一個沒有身份的背景，沒有更多的參考，以免給那些利用照片的人發太明確的信息。
我的項目是為了讓觀眾能夠思考隨著大型跨國公司的接管，手工業可能遭受的后果。
每張照片將在照片的下部顯示一個參考字幕，名稱和真實的工藝。
The project contains a series of five shots where various artisans of the cities of Florence and Siena are repre\u0002sented, who still dream of a future for their craft.
This strong demand of the craft sector has led me to have an interaction with them;
questioning them on what the job was, which, alternatively, they would never have wanted to do.
Through their answers I decided to photograph them in their unwanted clothes.
The photos were taken inside neutral spaces, just to represent a context devoid of identity, without any kind of reference in more,
so as not to give a message too explicit to those who go to take advantage of the photo.
Francesca Kezich
我作為活動發起人，在歐洲藝術節活動推廣期間，以及動畫師經驗，在海外居住期間跟眾多藝術家的交流中獲得了良好的溝通技巧。
在學校參與多個項目，保姆經歷以及歐羅巴藝術節擔任后勤中獲得一些技能。Festival Fabbrica Europa的物流。
熟練掌握Adobe軟件：Photoshop CS5.5，Illustrator CS5.5，Indesign CS5.5。
手工工作技能：繪畫，圖形技術創作、制作，熟練掌握模擬和數碼攝像機，舞蹈，舞臺劇。
Isolotto船廠 ，Virgilio Sieni公司，佛羅倫薩Isolotto（新文化遺址）區的重建項目。
09/2017介紹都靈編舞家Chiara（基婭拉）的當代舞蹈Muoviti Fermo（移動費爾莫）的藝術表演。
2017年Pitti Uomo之際，在佛羅倫薩植物園舉辦編舞家Chiara Burgio（齊亞拉·伯吉奧）的當代舞蹈Vespri（晚禱）的藝術表演介紹，在Teverina的Lugnano（地名），構思白色夜晚的火舞表演在阿爾法劇院（捷克共和國皮爾森）的舞臺上建造和維護木偶和風景畫佩格拉（佛羅倫薩）劇院的舞臺燈光設計實習詹卡洛·安吉魯奇，指揮Federico Fellini（費德里科 費里尼）的舞臺實習與專業插畫師Liza Schiavi（莉莎·希亞維）一起為期兩周的實習，參加設計師Benno Simma（本諾·西馬）參與的展覽研討會在藝術家Riccardo Rizzo的監督下，在博爾扎諾市的一個特定區域進行的壁畫，從歷史的角度來看，具有特別的重要性。為廢物處理公司Mascotte的建設競爭而詳細制作的圖形 - Alto Adige Ecocenter由參議院議長Pietro Grasso（彼得·格拉索）在2015年羅馬舉行的“ll Ventaglio del Presidente（總統的粉絲）”頒獎典禮上獲得頒獎現代舞課程公司的舞蹈劇場課程以及參與了劇場消防演習（2016）參加編舞者 Chiara Burgio（齊亞拉布樂嬌） 的舞踏課程。
possiedo buone competenze comunicative acquisite durante la mia esperienza promoter di eventi, esperienze di animatrice, esperienze all'estero di lunga durata, accoglienza artisti e logistica presso il Festival Fabbrica Europacompetenze acquisite durante lo svolgimento di molteplici aree di progetto in ambito scolastico e l'attività di babysitting e animazione, ideazione e organizzazione di spettacoli di danza, logistica presso Festival Fabbrica Europa-buona padronanza dei software Adobe: Photoshop CS5.5, Illustrator CS5.5, Indesign CS5.5,abilità in lavori manuali: pittorici, plastici, grafici, tecnici, di allestimentobuona padronanza della macchina fotografica digitale e analogicadanza buto teatro danza Cantieri Isolotto, compagnia Virgilio Sieni, progetto di riqualifica del quartiere di Isolotto, Firenze, 09/2017
Presentazione performance artistica di danza contemporanea Muoviti Fermo della coreografa Chiara presso il Festival Moving Bodies a Torino Presentazione performance artistica di danza contemporanea Vespri della coreografa Chiara Burgio presso il giardino botanico di Firenze in occasione di Pitti Uomo 2017ideazione di spettacolo di danza col fuoco per notte bianca a Lugnano in Teverinastage presso il teatro Alfa (Pilsen, Repubblica Ceca) di costruzione e manutenzione di marionette e scenografiestage presso il teatro la Pergola ( Firenze ) di macchineria e di illuminotecnicaStage su Federico Fellini condotto da Giancarlo Angeluccistage della durata di due settimane presso l'illustratrice professionista Liza Schiaviworkshop di allestimento fieristico con la partecipazione del designer Benno SimmaMurales svolto in una determinata zona della città di Bolzano avente particolare importanza dal punto di vista storico in occasione della giornata della memoria sotto la supervisione dell'arstista Riccardo Rizzoelaborato grafico in occasione del concorso per la realizzazione della Mascotte per l'azienda di smaltimento rifiuti – Alto Adige Ecocenter terzo classificato al concorso instituito dall'azienda Ecocenter 2011, Bolzanopremio consegnato dal presidente del senato Pietro Grasso in occasione della cerimonia annuale “ ll Ventaglio del Presidente” 2015, Roma corso di danza moderna (2009 - 2014)
corso di teatro danza e manipolazione del fuoco presso la Compagnia dei focolieri (2016)focolieri corso di danza butoh presso la coreografa Chiara Burgio (2016 – 2017).
Giada Biagioni
Lorenzo Ermini
人的本性是不確定的，沉著的。在這些圖像中，那些堅固的幾何結構顯示出它們自己最隱秘和神秘的一面。
Lorenzo Ermini1996年出生于蒙特瓦爾基（AR），他在佛羅倫薩美術學院學習。2017年，他參加了位于佛羅倫薩的加利福尼亞州立大學的“藝術與藝術”集體展演，并于巴迪亞阿魯奧蒂（Ar）舉辦了他的第一場個展。他還參與了在佛羅倫薩的“Runaseta”集體演出，他是EnEGC藝術獎的得主之一。2018，他參與了TIAC ExpAcess空間的“MyaMaFoSi”集體展演。
Lorenzo Ermini was born in Montevarchi (Ar) on 10-08-1996, he study at Academy of Fine Arts of Florence. In 2017 he
parteciped at "Arte per Arte" collective show at California state university in Florence and had his first solo show in Badia a
Ruoti (Ar). He also parteciped at "Rinascita" collective show in Florence and he was one of the winners of Enegan art prize.
In 2018 he parteciped at "Metamorfosi" collective show at TIAC expositive space.
作品名稱：《隱形的人》
作品大小：45x30 cm
作品名稱：《 無界的光》
作品大小：45x30 cm
作品名稱：《不安的人生》
作品大小：30x45 cm
Sangaeva Natalie 娜塔莉亞·桑加耶娃
日期：2017年11月至今，工作和崗位覆蓋：3D圖形行業的自由職業者
日期：2015年4月至2015年8月，工作或職位覆蓋Graphic designer 平面設計師,主要活動和平面設計的演示項目責任雇主的姓名和地址
莫斯科，俄羅斯工作聯合會
日期：2014年六月至2015年3月，工作和職位覆蓋Graphic designer平面設計師項目的主要活動和平面設計的責任介紹
Date11.2017 – attualmente Lavoro o posizione ricopertiLibera professionista nel settore della grafica 3D
Date04.2015 – 08.2015，Lavoro o posizione ricoperti
Principali attività eGraphic design delle presentazioni dei
responsabilitàprogettiNome e indirizzo del datore di OOO “Strojholding MO”, Mosca, Federazione lavoroRussa
Date06.2014 – 03.2015，Lavoro o posizione ricoperti Principali attività eGraphic design delle presentazioni dei responsabilità progetti
Silvia Cagotzi
robert zamboni
湖北美術學院
Hubei Institute of Fine Arts
聯合策展人：張樸
湖北美術學院攝影專業介紹
湖北美術學院攝影專業建構在視覺傳達設計系，以培養高層次圖像人才為目的。課程設置和教學體系充分的利用了美術院校的資源優勢，打通學科與學科之間的專業屏障，吸納有助于專業發展的課程并導入到教學體系之中，將材料、載體、表現技法、圖像語言等作為重點難點加以研究，使教學更具探索性和實驗性。
教學內容以分為三大板塊：一、以商業廣告攝影教學為培養方向的教學板塊；二、以新聞傳播為培養方向的教學板塊；三、以現當代圖像觀念藝術為培養方向的教學板塊等。涉及廣告圖像創意設計藝術、新聞與現代傳播、媒體與網絡藝術、現當代藝術分析與批評及當代圖像藝術表現等課程，旨培養具有當代意識的復合型圖像設計人才。
Aiming to cultivate high-level image talents, in Hubei institute of fine arts, the major of photography is in Visual Communication Department. With the advantage of the resource of our institute, the curriculum and education system has broken the barrier between the subjects and lead in all the courses, which is helpful to the development of the major. Material, carrier, representation technique and image language are the emphasis and difficulty of our research which makes the teaching more exploratory and experimental.
Photography Education can be divided into three systems in Hubei Institute of Fine Art:
1. Commercial advertising photography
2. News and media
3. Contemporary image conceptual arts. Based on cultivating application-typed talents, the students are involved in creative design arts of advertising image, news and modern communication, media and internet arts, contemporary arts analysis & criticism and representation of contemporary image arts, etc., so that they can become compound-typed design talents with contemporary consciousness.
張樸 ZhangPu
張樸 ,1963年生于武漢1988年畢業于浙江美術學院（現中國美術學院）獲學士學位，2008年獲武漢大學碩士學位現為湖北美術學院教授 碩士生導師 攝影專業負責人 中國攝影家協會會員湖北省攝影家協會會員
從事攝影、平面設計的教學和研究工作。論文、作品多篇幅發表于國內學術期刊和專業年鑒中，攝影、設計作品多次參加國內外攝影、設計展覽并獲獎。
19世紀中期，俄國人來漢口做起了茶葉生意，老漢口“巴公房子”的主人就是茶商俄國皇室貴族、沙皇尼古拉二世的表親巴諾夫兄弟。“李凡諾夫公館”的原主人李凡諾夫，也是當時漢口的著名茶商。這些俄國茶商與中國的茶葉貿易長達半個多世紀，開啟了漢口作為“東方茶港” 黃金時代。這些老建筑與“江漢關”、“大智門車站”一道見證了漢口作為中國磚茶之都的輝煌。
In the mid-nineteenth century，Russians begin their business of tea in Hankou, the owners of the old Hankou's house is the tea merchant Russian noble czar Nicholas ii's cousin, the Banovs. Li Vanov, the original owner of "Li Vanov Mansion", was also a famous tea merchant in Hankou at that time. These Russian tea traders traded with China for more than half century, it opened the golden age of Hankou as the "Oriental tea port". Together with "Jianghan Pass " and "Dazhimen Station ", these old buildings witnessed the brilliance of Hankou as China's brick tea capital.
作品名稱：《 東方茶港》
作品材料：重鉻酸鹽工藝
作品大小：37*26cm
創作年代：2017
鄧乾維 DengQianWei
通過傳統攝影的手工轉印形式與現代數字影像結合的創作方式，表現影像多維翻轉后，經過對平面影像的解構與重構，單一視覺感受的逐漸多元化；并從中探究攝影在多媒介結合的創作方式中，其本體語言在不同層次下所表現出的特點與轉變。
Through combining traditional photography manual transfer form and the modern digital image to perform image multi-dimensional flips, then through deconstructing and reconstructing the plane image to make the single visual feeling gradually multiplies, at the same time, exploring photography ontology language how to showing characteristics and changes at different levels in the multi-media combination context.
作品名稱：《 西北偏西》
作品材料：轉印工藝
作品大小：36*24cm
創作年代：2018
張歡 ZhangHuan
張歡, 1991年5月生于湖北黃石。高中畢業后，進入到湖北美術學院學習攝影專業，畢業后在深圳學習深造，目前生活工作于武漢、深圳兩地。
這組作品并不以記錄現實為主要任務，所以畫面中的實物自然也不是它們原本在客觀現實世界中的意義，每一個拍攝元素、每一種無序的重復排列、每一種色彩樣式都是作為一種承載著作者創作觀念的視覺圖像符號而存在于畫面中的。作者希望通過這些純粹的符號來制造“影像散文”，而這種“影像散文”是很難翻譯為語言句子的，對于不同生活背景、不同年齡階段、不同職業背景的不同觀者，這些“影像散文”為其帶來的一種情緒、一縷詩情、一些感性和些許突發性的審美意味都是千差萬別的，而這些隱含著的意味最終也都是以一種對我自的反觀和思考為前提和最終歸宿的，所以這也是這組作品存在意義所在。
This group of works on-screen physical nature that they had not only bear with the real world in the objective sense , but every shot elements, each arranged in a disorderly repeated , each color styles are bearing the author as a creative the concept of visual images and symbols present in the screen , the authors hope that through these pure symbols to create " images prose" , and this " image prose" is difficult to translate the language of the sentence , for different life backgrounds, different ages different professional backgrounds of different viewers , these " video essay" bring to an emotion , a ray of poetry , some of the emotional and aesthetic meaning little unexpected are vastly different , and these implicit implication ultimately are in a right hand, and since I think the premise and the final fate .
作品名稱：《soliloquy》
作品材料：冷壓美術紙
作品大小：90*70cm
創作時間：2013
